Wednesday, August 24, 2011

Strickly Sandbars — Yum!


In senior year of college, one of my roommates decided to make us a traditional Southern treat: a Mississippi Mud Cake. With great pride, she handed us all hefty slices.

Eight years later, my eyes uncrossed. My hair is still tightly curled from the experience, though.

Mississippi Mud is certainly to be tried once. The cake itself was delicious, but to add a full, large jar of marshmallow creme on top of it, and then cover that up with a half-inch-thick layer of chocolate icing (or ganache)—that's just irresponsible. Why, that creates diabetics of anyone standing within 50 feet of the cake.

After I'd been on my own for a while I recalled that cake. At the time I was a vegetarian; the cake fell within my dietary guidelines, as did most things with a lot of sugar. But I wondered: how to make it healthy? Of course step number 1 would be to eliminate the marshmallow crap and icing. There was more than enough chocolate in the cake to satisfy chocolate cravings.

Checking my shelves I spotted a large container of oatmeal. That was healthy. Why, that was mega-healthy! And if I substituted honey for a bit of the sugar, that would make it even healthier, wouldn't it?

Okay, eventually my version with the honey has been lost, but I give you the COMPLETELY HEALTHY VERSION of the Mississippi Mud Cake, which I call (of course):

STRICKLY SANDBARS

Oven set to 350° F, Number One! Engage!

1 cup low-cholesterol-type butter-esque spread OR 2 sticks butter
4 eggs (think healthy! Use 1 cup of that liquid egg stuff!)
1 tsp vanilla

Cream/mix all this together and then add
3/4 c. flour
2 c. oats (I have no idea if quick-cooking ones make any difference)
2 Tbsp. cocoa
2 c. sugar (you could use raw sugar if you wanted to make this EVEN HEALTHIER!!!)

Mix it well and then dump in
7 oz or 1 1/2 c. coconut
6 oz or 1 1/2 c. (funny; I don't think my 6 oz. came to that much, but 6 oz was definitely enough!) chopped pecans

I have a note that says you can add more coconut and nuts, but really, this is quite enough.

Pour everything into a healthily-sprayed 13x9 pan for 30-35 min. When cool, cut into bars.

If you want to really shock your system, turn this into a Mississippi Mud Cake. Substitute 1 1/2 c. flour for the flour and oats, and while the cake is still warm from the oven, spread a large jar of marshmallow creme over it. Let cool before frosting with: 1 box powdered sugar, 1 stick butter, 1/2 c. canned milk (evaporated, I think, but don't quote me on that), 1/3 c. cocoa, 1 tsp. vanilla. Have 911 on standby.

Contrast the two recipes. See how the sandbars are healthy?

What kind of healthy treats do you enjoy? Have you ever redone a recipe to make it healthier?

Thursday, August 11, 2011

Anyone have an aspirin?

Today we have a guest-blogger, Lina O'Kelly, from my THREE WORLDS series. She's been wanting to say something that she couldn't (much) in the books. About her: Lina is a telepath and psychic from North Carolina (she was named after the state), and took the first major vacation of her life—pretty much using up her savings—to a South Pacific island only to find herself having to be rescued by Valiant. You all know Valiant, aka Londo Rand: Earth's mightiest (and sexiest) superhero. Now the two seem to be an item, but she says she has problems with that? What do you say to that, Lina?

Problems?! Pardon me if I snort like Sandra Bullock. I got problems on top of problems. And frustration. Yeah, you might make "frustration" number one on my list.

It was all my fault. Well, some of it. I thought those terrorists who had chased us across the island were gone. Lon said they were packing up to go, and he's got that paravision, even if he'd been stripped of the rest of his powers for a couple days. But he was wrong about them and they came back, and now he's lying on a cot, just barely hanging on to life after what they did to him.

Actually, he was fully dead there for a few terrifying minutes.

Okay, he's alive again. But he's pretty much unconscious and we're stuck in this big old laboratory, quarantined on another world. That's right: another world. How was I to know my new teleportation power could stretch that far? I guess time and distance really are human constructs, like so many of those New Agers say. Just as easy to teleport to the other side of the room as it is to port to the other side of the galaxy.

If that's where we are. No one's shown me a map yet.

There are people here who are friends with Londo, and they have powers different from his. One's a scientist and he's looking after Lon, but I'm not really sure just how much of a doctor-doctor he is. Lon's hanging in there, but is that because of his help, or because Lon is Valiant and regaining his invulnerability?

Whichever it is, I wish Lon would get better quick. I've managed to help a little—no, a lot!—with my psychic healing. It's tough to see him lying there all helpless and kinda little boyish. He's so cute. Not frightening at all. You've seen him on the news; he can look really scowly, you know? If I were a crook I'd be scared of him.

But we, well, got to know each other back on that island, if you know what I mean, and (can I tell you this?) we kind of fell in love. And let me tell you, it's terrible to see the man you love struck down and dead. It was like my own soul was sucked out of my body along with him. But it's frustrating to see him just lying there and not be able to hug him or even hold his hand.

'Cause, you see, whenever I touch him his invulnerability goes all to heck. Blooey. Lon's best friend, Jae, says that that could mean big trouble when Londo gets on his feet again. Me, I don't see us ever tangling with criminals together. I'll let Londo be Londo and I'll be glad to wait on the sidelines. What kind of trouble would come looking for me? Jae can be a worrywart.

Add to that: the doctor, Jae and Londo's boss thinks that I'm mind-controlling Valiant. He's trying to construct some big legal case against me, throw me in jail and toss away the key. I don't know any lawyers on this world! Do I look like I have money? Heck, I can't even speak the language! Yet. I'll study that first thing. I don't want to be an embarrassment to Londo.

In the meantime all I have to do is to look at Lon and wish that he was better so, ah, we could continue to get to know each other—very well. That much I can blame on Lon. I was never particularly lascivious. But ever since I met him my hormones have been running amuck. I want to be with him all the time. I want to know everything about him. I want to make him laugh... and other things. It all fills me full of ideas that I've never thought of before.

And that's an entirely new kind of world for me.

Hey—He's stirring. He might need my help. Gotta go.

Thanks, Lina. You can read how she handles all this in Star-Crossed, volume 2 of the Three Worlds series. You can even check out an extensive free excerpt.

Wednesday, August 3, 2011

On the sorry state of today's superhero comics...


Over the years I've read articles about how heroic fantasy interests people who want to see justice done. Heroic fantasy = good wins over evil, right?

It used to be that way in the superhero comics (mostly DC) that I read. Those comics were almost never marketed at me, a girl. These days they're marketed for an even more different market, or perhaps I should qualify that by saying it's a "perceived" market.

Superhero comics tried to get more "realistic" back in the, oh, late Sixties and Seventies. That was perfectly okay with me. But in the late Eighties they took a decidedly dark turn (gee, thanks, Frank Miller) and then they began to get sadistic, especially at DC. The year 2004 was punctuated with Identity Crisis, which (let's go to Wiki) "according to Publisher's Weekly, 'This seven-issue miniseries... was both wildly popular and reviled.'"

Why? Because of pervasive shock-value violence. A beloved character was shown not only to have been raped in the not-so-distant past, but now, pregnant, is brutally murdered. The shock was the important thing; the logic of the plot and how the characters worked within it, was not. Heroes were shown to be more than the good-guy vigilantes they'd always been; now they judged and carried out dreadful punishment that, years on, would come back to bite (and maim) them.

This series was followed by event after event, each darker and more violent than the one before. Writer Mark Waid promised the fans that all this was leading to a "light at the end of the tunnel." That light never showed.

It struck me as if DC wanted to grab onto the gory themes and popularity of EC Comics of the Fifties. We all know how that ended, don't we?

So now because of severely declining sales (due mostly imho to the propensity for the comics companies not to seek out new readers, but rather to cater to their existing, aging, and shrinking audience), DC is about to reboot/relauch its entire line come the end of September. I first heard the term "Nottaboot" from my friend, Chris Companik. I like it; don't you?

Of course the message boards are lit up with guesses about what this Nottaboot will entail and how long it will last. Me, I'm highly skeptical of it. I don't see my favorites, Power Girl and Donna Troy, listed as appearing anywhere. Dan Didio, DC's co-publisher, has stated in so many words that he doesn't see the difference between Donna and her big sis. Well, Dan's the one who has allowed Wonder Woman to slog around in the bog her comic has been for years now (with a few shining moments in there, no thanks to him). If he doesn't even realize Wondie's potential, how can we expect him to figure out Donna's appeal?

Anyhoo.

Since my crystal ball has been sent out for repairs this month, I came up with a list of things I DON'T want to see in the Nottaboot. Do you agree? Disagree? Have additions? You tell me.

• I want heroes again. Real heroes who have ethics and who see a majority of successful and happy endings to their story arcs. I want good ultimately to conquer evil and be stronger than it.

• I want heroes who have a range of powers. Thus, anyone who has super-strength doesn't automatically have the strength of Superman (who should be DC's unquestionably strongest hero). There should be mid-ranges, even low ranges and higher ranges of power.

• I want basic continuity of major points (at least) so I can ground myself in the heroes' world without having to step out of their stories in confusion.

• I want scientists who have specialties. I'm tired of scientists (be they hero, villain, or supporting cast) who know every damned branch of science, and are experts at it all.

• I want to see feminine traits celebrated. Yes, even in males, as men aren't supposed to be complete machoheads, even in superhero fantasy.

• I want less sexism. Much less (if not an absence of) shock violence. I want to see a comic book world of people who reflect the ratios and types of people we find in our real world.

• I want kid types to act like kid types. (And look like them, too.)

• I want comics that will make me think. I want comics that will have me celebrating the glory of humanity. I want comics that will inspire me and keep me enthralled.

• I want art done professionally. I want editors to do their job.

• And I want a Wonder Woman whom I can point to and say, "Yep, definitely Wonder Woman! No doubt about that!"

Is that too much to ask? Would today's young and diverse potential audience go for something like that?

Wednesday, July 27, 2011

3 New Abstracts!

Aren't abstracts fun! And, unlike how some other people create them, it takes me some time to paint one. First I figure out a color scheme, then a rough composition, then it's texture, texture, texturing. Add some simplification, then texture some more and... voila!

I was in a red mood for these past 3 weeks as I worked on these. I wanted some kind of series feel, so I kept to the same palette. I've been watching so many HGTV shows where the hosts repeat their mantra: "Keep your room neutral!" And then along the neutral walls and behind that neutral couch, they place wildly colorful paintings. This is how I envision these paintings.


"Genesis 24181." Why "Genesis?" Because I was seeing the birth of stars. This is 24"x18", acrylic, with a wrap-around 3/4" edge so you don't have to frame it if you don't want to. All materials are archival, and shipping is free. $540.00






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Here's "Genesis 24182." Okay, so I'm not good with painting names. It also is 24x18", acrylic, 3/4" wrap, and all archival. $540, includes shipping.






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And here's their sister, "Genesis 18241." It is 18x24", acrylic, 3/4" wrap, and all-archival. $540 with shipping included.






I hope there are homes out there who need a little frantic color and whimsy! Enjoy.

Sunday, July 24, 2011

TV's Sexiest (non-dramatic) Men!

I don't watch a lot of series TV, certainly not network shows. But I do sit for hours in front of the more reality kind of shows, as long as they aren't the Big Brother or Are You Smarter Than types.

I love learning. But if there's a sexy man giving a demo, so much the better! Some of the sexiest guys on TV are trying to teach me something. Or sell me something. Other than the number-one slot, my list is in no particular order:


1. Mike Rowe. Pardon me while I fan myself. Mike, of Dirty Jobs and Ford commercials fame, is not only heavenly to look at, but he has a terrific sense of humor, can talk to anyone and make them feel respected and liked, sings opera gloriously, is curious, and will take on any task he has to do, even if he's not keen to do it. This man is the very definition of testosterone focused in a positive direction!

2. Isaiah Mustafa of the Old Spice commercials. I have no idea what else he might do, but he's sheer, unadulterated eye candy, with a voice like melting chocolate.

3. Ben Bailey of Cash Cab (NYC) fame. I've seen his act on Comedy Central as well. He's funny. Who can resist a funny guy who's not only intelligent, but doesn't resort to a stream of shock-value profanity? Classy.

4. Mike Holmes of various HGTV shows. A bit more mature, but this is a man who can handle any construction problem. He knows when to ask for help and whom to call. He seems to care about people. Face it: a man who knows how to get his (ahem) job done better than the others who came before him? Priceless!

5. Dean Winters, Allstate's "Mr. Mayhem." No, I've not followed his dramatic series career but I pay attention to his commercials! Everyone loves a classic Bad Boy. Woof!

6. Jon Stewart, the Most Trusted Man in America and one of our too-few media voices of reason. Sure, he's a little short, but he's handsome, savvy, witty, conversant, brave, and daring. He not only knows how to hire a great writing staff, but is proficient in Star Wars and major superheroes. Now if only he could cut down on the profanity...

7. Ahmed Hassan of Yard Crashers. A gorgeous, friendly man who can get things done! You may be entirely too young, but oh, Ahmed, come to my house!!!

So what about you? Whose program or commercials do you watch even if you don't care what they're presenting?

Getting life in focus

Yep, it's time to take a deep breath, center, get down, and get serious about things.

Starting with this post I'm going to keep track of some of my goals through the blog. Y'see, by next year I want to have achieved some pretty great stuff. Get the house clean and organized. Get the yard in shape. Pay off most of my bills so I can breathe and save. Get my home businesses actually selling product in decent quantities. Get some head hair (not face! not face!!!!) back. And lose weight. Lots of it.

I didn't do too well on the bills department in the past three days. I've been charging things out the wazoo. Every now and then, after I think I'm doing so well, I'll hit a phase where I GOTTA buy things. But I really did have to get this stuff: hair done, makeup done, professional picture taken. Okay, maybe the Christmas tree was a luxury, but I said I'd buy one last year and didn't. When the both early and late sales were going, I couldn't find a tree that really interested me. Yesterday QVC had a very nice tree at a very nice price.

So all that means is that I've got to step up sales somehow. Hopefully by the end of this week I'll be in a gallery, and I'll have my Etsy shop really up and running. (Do people really sell things on Etsy?)

I'm not stepping out in the yard much this week, as we seem to be at highest temp levels for the year. I'll mow and water, but probably not much more than that.

Since Obi died I've cleaned out all the kitty stuff, and that has encouraged me to start to make headway through the rest. My goal for this week is to get the kitchen, dining room and living room cleared and maybe even cleaned as well.

I'm working on a number of paintings that will (cross fingers HARD!!!) be hanging somewhere public by the end of the week.

I'm working on my WW book but also starting a final edit of Applesauce and Moonbeams, with hopes of publishing that by the end of August or beginning of September. (September! Already???)

As for weight, I'm going to start with where I am now to track myself. Where I am now is 35 pounds lighter than where I was 3 years ago, my all-time highest weight. But I'm hitting the "zero out" button and putting me at zero now. Updates will show how far I've come from here, and not there.

So look for notations on the bottom of blog posts. If you just see a "-10" that'll mean ten pounds lost since today.

I'll be putting in extra exercise time this week in an attempt to jumpstart the system.

At 40 pounds down, I'll mosey over to Raleigh to check out what Dr. Bosley can do for my hair. I wonder if he needs new paintings for his offices?

Here goes. Geronimo!

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Friday, July 22, 2011

Steppin' Out!

My vacation officially begins Monday. Fridays at work are short days. So I decided to make the most of my Friday afternoon and start the vacay off right.

It needed to, because my supervisor had dropped by to ask when it was (which he knew already) and if I'd be staying close in case he needed to call me. I reminded him that there was zero on my schedule for the next week. He keeps doing this, balking whenever I ask for vacation. I have ten weeks saved up. I have definite weeks when there is little or nothing to do. Why the fuss, then, of me taking vacation? I've asked around, and apparently he doesn't do this with others.

Anyway. I got out a credit card and started it smokin'. That's right, I signed up for my Art of the Carolinas classes. They'll be in November, but many classes, especially those on the weekend, sell out quickly. Surprisingly, I didn't sign up for the classes that had originally caught my eye. I got to thinking about things and by golly, chose a few alternates instead. I'll be learning two completely different approaches to still lifes—one in realistic oils and the other in crazy semi-abstract acrylics, going in for more abstract instruction from a very good instructor, and learning a bit of technical/marketing stuff concerning giclĂ©es.

And of course I'll need a hotel room for all that, even if it is just down the road in Raleigh. You wouldn't believe how exhausted you can get after frantically painting from 9 AM to 8 PM!

That done, I printed out a movie schedule for Harry Potter. For some reason I printed the times for all local theatres instead of just the one I was targeting. (Good thing!) Next it was off to the comic store to pick up a couple week's worth of comics. Still haven't read the special Wonder Woman issue, but according to just about everyone, it's a real stinker. Only saw 1 good comment about it. Oh boy. :^(

Plenty of time to head to Southpoint, the mammoth mall that I still think of as being new. I had a 3:40 appointment at Penneys for a portrait, so I moseyed around a bit, looking for some place to get makeup done. (I'd had my hair dyed two nights before. Don't want all that gray immortalized. The hair dresser went a little crazy with the red, which was only supposed to be on the very tips.) Because I was really early and didn't think there'd be time to eat before the movie, I got a snack and then visited the Bare Escentuals salon. (Penneys had a hair salon but no makeup.) There I agreed to buy a beginner's kit plus a couple other things. CA-CHING!!!! I told them about my 3:40 appointment; they said no problem.

I arrived late. Still, the photographer was buzzing around in her studio, so I thought it was okay. Even so, she complained about me being late. I asked why she hadn't answered my 2 emailed questions and she said she'd only gotten one. She didn't say why she hadn't answered that one. Anyway, I discovered that Penneys does not grant copyright to the sitter. I can use the shots anywhere but on my books—or to get a print done from Walmart, of course. Well, okay. Whatever. I'll be getting new shots done next year when I'm beautiful, right?

So I sat for the portrait. "Turn to your left, turntoyourrightturnleanforwardturnagainturnturnturnturnturndone!" Damn, what an impersonal sitting! I felt like a cog on an assembly line. No, there was no appointment before mine, nor one after. And it all happened so quickly I wasn't able to make the kind of expressions I had planned. You know, expressions that said, "Hi. I'm just like you. You'd probably like my books. Why don't you buy some right now?"

The photog wasn't pleased AT ALL that I'd brought a coupon with me. I chose the 3 poses that didn't make me puke outright (just wait until next year!) and ordered those. I hurried out, determined to make it to the next Harry P showing so I wouldn't have to wait over an hour. But I stopped to talk to a woman from that floor & carpeting place with the catchy jingle. By then I figured I'd missed the beginning of the movie. Then because it was so warm inside the mall I got a piña colada smoothie—yum! While sucking it down in the car I recalled that I had printouts of movie times for other theatres.

Hm. There were 2 on the way home. One had a new show starting in 20 minutes. If I could find my way back to I-40 quick enough... I did! I drove at a reasonable rate, too. Then we got a highway sign: "Traffic stopped 1/2 mile ahead. Prepare to slow down." Uh oh! But luckily the 15/501 exit was in sight. I took it to get to the Wynnsong 15. Of course the lady 3 people in front of me in the ticket line wanted to ask a million questions of the woman behind the glass. Everyone in line grumbled, but finally she moved on.

By the time I gave the ticket guy inside his stub, it was 4:59 for a 5:00 show. Whew! Took a right at the proper sign, went inside and...

Where was everyone? There were only 7 people there. Was I in the right theatre? Oh no, maybe this was Sarah Palin's Undefeated. Was it playing in this place?

I sat through a dozen commercials (some very old), and then another dozen previews. All the previews concerned white males having an adventure. Some of the males were boys and some were men, but they were all white. One preview seemed to have an auxiliary non-sexual-role girl in it, so I'll keep my eye out for that. (Hugo.)

Then, I'm happy to say, Harry Potter began. Wow! This is what they made the movies for! I was amazed by the tight yet poetical dialogue, and thought everyone gave a top-notch performance. The sets, costumes, makeup and effects were tremendous. The music was a little, well, John Williams-y in a saccharine way in tiny spots (he didn't do the original music for this film, but they were picking up on his theme), but it only detracted from things twice and only for moments each.

I'd brought a pile of Kleenex in because it was such a hot day and I was desperately trying to sweat my makeup off. HP7b turned out to be a three-Kleenex movie. At one point I was afraid I'd sob out loud—all too embarrassing!—but the lady behind me managed to do that first, which kept me in line. She was also the one who softly voiced for all of us, "Don't go," during the King's Cross white-out scene. (No spoilers here!)

Speaking of spoilers, someone on FB had mentioned they didn't understand the mirror shard from the last movie, and when Daniel Radcliffe appeared on The Daily Show last week, someone asked him why the mirror shard wasn't explained, when it was in the book.

All that made me look up just the mirror shard on Wiki and read about what I'd forgotten: Dumbledore's not-so-wise youth and his family problems. Thus I was able to keep up with things when this movie zipped through all that. Still, glad to see it included.

So HP7b gets a hearty recommendation from me! I can't imagine anyone not familiar with the series trying to see it, though. There was a kid in front of me, clearly a HP fan, who left to go to the bathroom and came back. "What happened, Mom?" he asked.

"The girl did something," she replied, after Hermione had dealt with the one horcrux.

Poor Mom, stuck in such a textured movie and not knowing where she was!

But it was a lovely, lovely movie and a completely fabulous ending to the series and so much more interesting than the Lord of the Rings movies. With them it was just fight fight fight, fight some more, fight fight. Insert bits with Frodo and Samwise here and there to keep everyone awake.

With HP there was drama and endings and sweetness and struggle and decisions and "Not my daughter, you bitch!" Bloody marvelous!

Which reminds me: time for a singalong!!!!!!

Afterward I said what the heck and got two slices of pepperoni pizza to go, with no salad in sight.

A great way to begin a vacation. Hope most of my days off are as productive!